Heck, it's even nice to have an EQ for your car stereo system and your home entertainment system, and it's a thousand times nicer to work with one in the studio. Meanwhile you'll have a secret weapon in your signal path as a recording, mixing, and mastering engineer that gets you more results and more business than your competitors. I say to let everyone think that and feel that way. They imply effort and technological sophistication instead of the feeling of instant results a compressor gives off. Outboard equalizers aren't nearly as sexy as a preamplifier or effects processor. They dissociate you from the process of mixing, which can be very hands on. They don't feature the harmonic distortion transistors and tubes can offer. But they lack what can't be simulated accurately.
#T racks classic equalizer software#
In the end it's still, relatively, cold and lifeless.ĭoes that mean software EQ's suck? Not by a long shot. It can even filter itself to act as if it's producing the subtle, pleasing artifacts of analog recording equipment. Software can pretend to replicate the circuitry of hardware, but they'll never actually be one of the best equalizers. Approximately +/-18dB (Narrow Q), and +/-12 dB (Broad Q).Click here to jump straight to the reviews!Įmulation is simply that.The EVE-AT4 is the stronger ‘character’ equalizer, while the EVE-AT1 is suitable as a ‘go-to’ equalizer for a wide range of instruments and musical applications. Although they share certain tonal characteristics, the EVE-AT1 and EVE-AT4 reveal their differences in the details. The result is a particular tonal character the sound and tonal shape of its original incarnation is a hallmark of many classic recordings from the 70s.īoth the AT1 and AT4 were designed with simplicity and clarity in mind, allowing for straightforward usage and immediate productivity. Although the EVE-AT4 possesses fewer bands, a smaller frequency selection palette, and less Q bandwidth selection options as compared to the EVE-AT1, its strength lies in its unique filter implementation, producing an idiosyncratic frequency response not present on the EVE-AT1. Designed as a tribute to the EQ section of the Neve* 1084, which was created as the successor to the legendary Neve* 1073. These characteristics mean the EVE-AT1 is suitable for a broad range of musical applications, offering flexibility, versatility and all-round utility.ĮVE-AT4 is a 3-band equalizer with an additional high-pass and low-pass filter. In addition, the AT1 impelements a different high-pass and low-pass filter, giving the AT1 a slightly more conventional frequency response in these areas. The EVE-AT1 posseses an additional parametric band with expanded Q bandwidth selection in the low-mid and high-mid frequency ranges as compared to the EVE-AT4.
Inspired by the EQ section of a renowned British Classic –the Neve* 1081 –this equalizer delivers a clear, smooth, and musical sound to shape your tracks.
We are thrilled by the sound and present these EQs as a modern tribute to one of the most influential audio tools ever created.ĮVE-AT1 is a 4-band parametric equalizer with an additional high-pass and low-pass filter. The Kuassa EVE-AT1 / EVE-AT4 consists of two individual EQs inspired by the design of the legendary Neve* 10 that are known for their clear, smooth, and very musical characteristics. Efektor GQ3607 Graphic Equalizer (Free).
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